Sunday, July 20, 2014

Tour to Muang On Cave : Beautiful Cave in Chiang Mai

Tour to Muang On Cave : Chiang Mai Cave

Muang On Caves are filled with beautiful stalactites and stalagmites, situated in the San Kamphaeng District, about 35 km East of Chiang Mai near the Hot Springs.


Muang On Cave is situated at Sankampaeng near the Hot Springs. A long staircase leads up to the mouth of the cave. A steep climb down again gives access to a number of caverns filled with impressive stalagmites and stalactites. There is a strange limestone formation that was once mistaken for the skeleton of a dinosaur. In one cavern is a large Buddha image. The cave itself had a beautiful scenery with limestone hills and cliff , natural furnished with stalagmite , stalactite. Include with captivating history and legend of this historic cave. 
Before the Sam kam paeng hot spring on the left hand side visit the Muang On cave. From the car park you have to climb up a steep Naga Serpent stairway, about 180 steps, before reaching the entrance to the cave. The entrance fee is 30THB and it goes towards the upkeep of the cave system. Check that the lights have been switched on before descending into some big caverns. A large seated Buddha image amidst stalactites creates an impressive effect. The Muang On Cave are filled with beautiful stalactites and stalagmites. There is a winding concrete pathway along the cavern floor allowing you to wander along till you finally reach the end of the caverns. All the way along the path you will see dozens more of the little shrines that have been erected over the decades. No need to duck your head moving around in this cave system as it if full of towering caverns and fluorescent lights artfully placed around to enhance the look and feel of natural rock formations.

A 30 foot long “Reclining Buddha” named Pro Garoona Sai Yars. Built four years ago, this relaxed
‘fella’ looks strangely out of place in an environment that most people find “spooky” to say the least. The basement of the cave is littered with tiny images resting on small niches in the cave wall. These are dwarfed by a handsome meditative Buddha image that sits high up on a ledge just above a naturally formed basin of water. But the centerpiece of this spacious grotto is a gigantic stalagmite named “Jedee Mae Nomm Fah”. This awesome formation of nature is thirty feet high and ten feet in diameter. Wrapped around it are several brightly colored sashes in red, yellow and orange, resulting in projecting a surreal effect upon the entire scene, of the cave floor. It is an astounding sight.

A visit to the Muang On caves is only for the fit. Firstly there is a long climb up a Naga staircase from the car park, before reaching the entrance to the caves. The caves are well lit and there are young guides available to point out the major sites, which are also Buddhist shrines. However to reach the famous stalagmite it is necessary to climb down a long concrete staircase, which means it is along climb back up to exit the caves.
After tour to Muang on Cave, and if you are in love with nature then head away from the tourist trail and visit the Sankampaeng Hot Spring (5 kms. from this cave). The natural spring of Sankampaeng Hot Spring is emitting water with high sulphur content and said to cure ailments and rejuvenate the body. At the spring people are able to picnic and even swim in the clean rejuvenating warm waters. People are also able to enjoy a massage and swim in the natural warm mineral water pool set amongst magnificent scenery and accompanied by a visit to the handicraft village where people make wood carving, traditional Thai silk, umbrella etc. You will be back to the hotel in the evening.

Sunday, July 13, 2014

Tour to White Temple a Piece Of Art

Tour to White Temple Chiang Rai

White temple one of the best masterpieces of modern architecture

The city of Chiang Rai in northernmost Thailand is one of the remaining areas where traditional Thai art and culture flourish.
Located near the city of Chiang Rai, about 5 kilometers to the south, is the beautiful Wat Rong Khun or White Temple. The White Temple of Northern Thailand has become a national landmark and, as one of the most recognizable temples in the country, attracts an increasingly large number of visitors every year.

Wat Rong Khun or White Temple is unique from other temples in that it has been constructed entirely in a radiant white color with sparking reflections from mirrored glass mosaics embedded in the white plaster. The temple is the idea of Mr. Chalermchai Kositpipat, one of Thailand most renowned artists, who wanted to build a temple all in white to signify the purity of Lord Buddha. The artist continues to puts his religious belief and desire to enrich Buddhism in Thailand into his contemporary art design.

The construction of the White Temple is Khun Chalemchai master work, which he refers to as an offering to Lord Buddha and his beloved country.

To approach the main entrance to the main chapel, I assume must signify a kind of passage to enlightenment because this is how I feel approaching the temple. The passage is flanked by two tremendous man-like giants who somehow frighten me until I have to lower my eyes. But this doesn’t help me at all, as those grasping hands near the floor shake my nerves again. The hands are in assorted array, outstretched and seem to be pleading. I realize that this piece of art must symbolize hell and how people in hell will suffer from their bad karma.

While climbing the bridge to the main hall, I notice that I am surrounded by a huge pond containing white fishes and fountains that spout up every now and then. The pond, to me, perhaps signifies the river Si Tarndon that divides the mundane world from heaven. As I get closer to the main building I think that this must be a representation of heaven.
Before the main chapel and at the end of the bridge there are several sculptures of meditating Buddha sitting in a lotus circled by spirits of the world. The outer-decoration of the temple hall is all white color representing purity and wisdom of Lord Buddha, however, a dramatic contrast of color is found when arriving inside the main hall. I feel a sense of serenity when looking at a several Buddha altars set inside golden flame.
The walls are painted with a colorful larger than life story related to Buddhist and teaching in a very modern and contemporary style. The artist uses icons from modern culture and through space ships, super man, and even Neo from the Matrix movie he tells of the story of Buddha in this very unique display.

On the left of the temple compound is a golden toilet which Chalermchai seems to also use to transfer some hidden message to visitors. It is as though he is saying, I want this golden toilet to be a symbol of the human response to imagery. I am one of the many who paused to consider what may be the artist message. Perhaps the message is also that there is beauty in all things, just like this golden toilet which impresses people by its beauty rather than the fact that it is just a toilet.

Wat Rong Khun is still a work in progress and will be for years to come. It is planned to comprise nine buildings including the ubosot (chapel), pagoda, hermitage, crematorium, monastery hall, preaching hall, museum, pavilion, and rest room facilities which will be built on an area of 7 rai (about 3 acres).

How to get to the Wat Rong Khun
Approx 200 kms. From Chiang Mai to Chiang Rai by bus. And the most convenient bus is the Green Bus, which runs from Arcade Bus Station. This is located at the far end of Kaeo Narawat Road, near where it joins the superhighway. To get to the bus station, just jump on a songthaew, which should cost around 50 baht per person from central Chiang Mai. The VIP bus from Chiang Mai to Chiang Rai costs 288 baht for a single journey. There aren’t any trains running between Chiang Mai and Chiang Rai.
When Arive Chiang Rai, There are two bus station in Chiang Rai – a new station on the outskirts of town, and the old station in the town center near the night bazaar. There is a local bus that departs from platform 8 of the old bus station in the town center. Just tell the driver or conductor that you want to get off at Wat Rong Khun, and they will make sure the bus stops there. It’s a 13 km journey from town and costs 20 baht per person. They will drop you off on the side of a dual carriageway, and the temple is on the opposite side, around 100 meters away. Be very careful when crossing the road, as there isn’t any pedestrian crossing there.

Otherway more comfortable you can contact Travel Agency in Chiang Mai, they can provide a private car to Chiang Rai with air condition for your group or budget tour Chiang Mai day Trips to Chiang Rai combine with other important place in Chianr Rai for one day.
Entrance fee & opening hours
The White Temple is opened every day from 6.30 a.m. to 6 p.m. The gallery is opened from Monday— Friday from 8 a.m. to 5.30 p.m. / Saturday-Sunday: 8 a.m. to 6 p.m.


Sunday, July 6, 2014

Tour to Wiangkumkam the Underground Ancient City

Interesting Historical Tour at Wiangkumkam

Package tours in Chiang Mai to Explore the Lost City.

Wiang Kum Kam served as the first Lanna capital for 10 years from 1286. After flooding largely buried Wiangkumkam under mud and silt, the town was abandoned more than 200 years ago. April, 1296, King Mengrai had constructed a new capital on the opposite bank of the Ping River, which he named Chiang Mai. Translating to “new city” Chiang = City, Mai = New, Chiang Mai was built on higher ground and used a large pond to receive the excess of flood water. The area was restored as a historical park during the 1980′s. Surrounded by paddy and village houses, the extensive site has a pleasant rural feel, yet it is very close to Chiang Mai.
Wiang Kum Kam is an ancient city aged over 727 years old. At present it is home to historic sites. Wiangkumkam is situated in the southeastern of Chiang Mai, i.e. between KM 3 – 4 on Chiang Mai – Lamphun Road which is in Tha Wang Tarn subdistruct, Saraphi district, Chiang Mai province. The city is located on the east bank of Mae Ping River. To get there, go straight from Nong Hoi security kiosk until you reach the intersection near Pa Kluay street isle. Keep going until you find Chedi Liem. Continue on Koh Klang Road past Wat Chedi Liam, to reach the McKean Institute. Follow the river to Ban Pa Dua for a pleasant rural ride and to see woodcarving.

At the Wiangkumkam Information Center, Wat Chedi Liam and Wat Chang Kam you can make a tour with a horse carriage (300 Baht per carriage per tour) or with a tram (20 seats, 1-5 persons 250 Baht, 6-10 persons 300 Baht, 11-15 persons 350 Baht, 16-20 persons 400 Baht per tram per tour).
At the information center you can also rent bicycles (20 Baht) or take a look at the Wiangkumkam Museum (10 Baht).
If you use horse carriage. He will trot's you around to 9 different temples and does his best to explain about each temple's history and past.The Package tours in Chiang Mai to Wiang Kum Kam visit the following sites.
McKean Institute
(KM.4 Koh Klang Road. Hours. 08:00-16:30. Tel: 817170)
This former leprosarium is a rehabilitation center set in beautiful, quiet grounds next to the river. Colonial-style architecture includes a church with flying Buttresses. The institute plans to open a museum in a building restored to its original 19th century condition. Information about the institute is available at the office.
Wat E-Kang
The grounds of Wat E-Kang (e kung) used to be deserted and overgrown, inhabited only by monkeys of the cercotithecidaespecies. Kang means monkey in northern dialekt, thus the locals call this temple Wat E-Kang. The Department of Fine Arts started the excavation work in 1985 and found a chedi behind a viharn which faces north towards a branch of the Ping River. Later in 2003 the excavation team found traces of a wall in the west of the chedi. More excavation work is done.
The chedi of Wat E-Kang remains mostly intact. It is a bell-shaped chedi on a high lotus base with torus moulding and is situated on the same base as the viharn. The base of the chedi is wide enough for a ritual walk around. Of the viharn only a big base is left. On the floor of the viharn are traces of bases for 16 pillars. There are stairways in front and on one side of the viharn, decorated with northern spiral designs (Tua Ngao, dtua ngou in the northern dialect).
The study of soil layers at Wat E-Kang ignited the first study of floods at Wiangkumkam. Evidence shows that there was a great flood which brought layers of different soils to the area. Other regular floods also contributed to the layers of sand, fine sand and gravel. Ancient artifacts dated from the 16th – 17th centuries, such as broken pieces from terra-cotta products from the Sankhampaeng and Wiang Kalong kilns were also found there. These parts had been scrubbed until the edges became smooth and had been buried among the layers of sand and soil. It is estimated that the flood that brought about the sediments and ancient artifacts took place in the 17th century or after.
From the architecture and the fact that plates of Fak Kham and Lanna Dhamma alphabets were found in the area, it is estimated that this temple is dated back to the 16th – 17th centuries.
Wat Nan Chang
Wat Nan Chang (narn charng) is an evidence for flooding in the past at Wiangkumkam. The 1.80 meters deep layers of sand and soil sediments were excavated in 2002 to 2003. Revealed were ruins of buildings similar to other temples in Wiangkumkam. Yet this temple is different in that there were 2 buildings of 2 periods on top of each other.
In the first period, a porch of the main gate and a wall had been built around a viharn and a chedi. In the second period the grounds of the temple were extended; the wall at the back was demolished and more buildings were constructed. The excavation team found ruins of a building of a square structure with 4 arches and a pointed tip. The stairway of this building features Makara (a mixed mythical creature of crocodile, dolphin and elephant pouring out a Naga (serpent) head from its mouth). This building was built on top of the demolished part of the wall from the first period. In the second period the wall was extended to envelop the buildings.
This temple is called Wat Nan Chang to honour the ancesters of the owner of the land. One interesting thing about this temple is that it faces north while other temples face east. It is speculated that it was built to face the now dried up Ping River, which was a transportation / travel route of the time. Apart from the Makara at the stairway, other beautiful stucco works found include designs of mythical creatures such as Kilen (a Chinese mixed creature of dragon, deer, cow and horse), Haemaraja (a mixed creature of lion and swan) and Singha (lion-like beasts). Those were found under the middle of the pedestal base of the main Buddha image inthe viharn.
In addition some Chinese ceramics of the Ming Dynasty (1368 – 1644) were found. Those were found at 2 different places; the pieces of the first place consists of 47 pieces neatly arranged in a jar and intentionally buried between the building with the square structure and other buildings. This might have been because the people needed to escape from war; later the sediments from the floods buried the jar. One of the pieces is is from the royal kiln of emperor Ta Ming Wan Li (1573 – 1619). At this time Chiang Mai was under Burmese rule. At the other place were 8 pieces found buried in the flood sediments in an area speculated to have been an earthen flood wall north of the temple. These ceramics are evidence of Wiangkumkam‘s relation with China and gave answers to many historical uncertainties about Wiangkumkam.
The temple is dated around the 16th to 17th centuries.
Wat Pu Pia

The name “Pu Pia” (pboo pbia) has been given by locals; the official name of this temple does not appear in any historical documents. The chedi of this temple has been left in near-complete condition and was the only visible part before excavation. Other parts were overgrown with bushes and a longan tree on a mound about 1.5 to 1.8 meters high.
The Department of Fine Arts started excavation of the temple in 1985 and found a viharn in front of the chedi. Evidence shows there were 2 constuctions on top of each other. There was a rite pavillion north of the viharn set by red sand-stone boundary stone slabs. To the northeast of the rite pavillion, an octagonal building was found with a worship altar nearby. The chedi has a tall base, a body with 4 niches for Buddha images on each side and is topped with a small bell shape. Each niche has beautiful decorative stucco spiral and floral designs.
The excavation and restauration was finished in 1986, though it is believed there must be other buildings, such as a wall. However, the excavation work can not be continued due to land ownwership conflicts.
From its architecture it can be assumed that this temple was build around the 16th to 17th centuries.
Wat That Khao
Locals, referring to the white chedi which must earlier been coated with lime, have given the temple the name
“That Khao” (tart kou). The Department of Fine Arts started excavation in 1985 and found a viharn in front of the chedi. Behind the chedi was a worship altar. To the south of the viharn ruins of a building had been found speculated to have been the rite pavillion. Behind the rite pavillion parts of a Buddha image had been found. This image would have been made of brick and coated with lime. The present main Buddha image of the temple had been contributed by locals – it does not contain any of the parts of the old one. A Fak Kham (fuck karm) alphabet plate dated in the 16th century and Haripunchai style Buddha amulets dated in the 15th century were also found there. There must be still other sructures in the compound, however, the excavation work can not be continued due to land ownwership conflicts.
The restauration was finished in 1986.
From its architecture it could be speculated that this temple was built around the 16th – 17th century.
Wat Phra Chao Ong Dam – Phaya Mangrai
The temple got the name Wat Phra Chao Ong Dam (pra jou ong dum), which means in northern dialekt “Temple of the Black Buddha Image”, from a burned bronze Buddha image found there. The other name, Phaya Mangrai, given by locals, refers to the king who established Wiangkumkam.
The Department of Fine Arts excaveted and restaurated the temple in 1989 – 1990.
The remains of the Phra Chao Ong Dam group consist of a viharn, a chedi and square bases. The viharn was built in a rectangular shape. A balustrade at the front stairway of the viharn has a spiral design made of stucco called “Tua Ngao” (dtua ngou, a kind of Thai decorative pattern). The chedi, located at the back of theviharn, was formed in a sqare base with indendet corners on top of an unadorned lower base. To the south of the viharn are 3 rectangular bases connected by a pathway.
The remains of the Phaya Mangrai group, located to the south of the Phra Chao Ong Dam group, are a porch of the main entrance, a boundary wall, a viharn, a chedi and an ordination hall (Ubosoth). The chedi, located at the back of the viharn, has a square base with indented corners that support a relic chamber with a niche for a Buddha image in each direction.
About 100 meters east from these monument a trace of the old Ping River, a dike and a small pavillion still remain there.
The monuments suggest that this temple was in the past a big monastery and the most important one in Wiangkumkam. However, most of its structures may have been covered by earth or are completely destroyed.
This temple was built twice and is dated to the 15th to 17th centuries
Wat Chedi Liam

The main feature of interest is the Haripunchai style chedi built around 1286. It is a square stepped chedi with Buddha images in niches at each level.
Wat Sri Bun Ruang
The old viharn of this temple has been given a new roof and is brightly decorated. The result is an ornate and very colorful building that mixes the old and the new.
Wat Chang Kam
It is believed that Wat Chang Kam (charng kum, elephants carrying) was Wat Kan Thom (garn tome). It was named Kan Thom after the builder who built this temple whose name appears in several legends and chronicles. According to the Yon (yone) chronicles, Phaya Mangrai had the temple built in 1290. The chedi was 18 meters high with a 12 meters wide base. There were two-tiered niches for the 4 directions. The lower tier of each niche housed a seated Buddha image, the upper tier housed standing statues of Phra Mokala, Phra Sarebuth, Indra and the Mother Goddes, respectively. There is a Bhodi (poe) tree, but there is no evidence that this tree is the sacred Bhodi tree described in the chronicles.
The Department of Fine Arts started the excavation of the temple in 1984 and found a viharn and a chedi of square structure with 4 arches and a pointed tip, situated on a low base. Terra-cotta Buddha plates of Hariphunchai (hurrypoonchai) style where found buried around the base of the viharn. The viharn and the chedi are estimated to be built around the 15th to 16th centuries. Moreover there was another bell-shaped chedi believed to have been renovated by a Burmese benefactor around the same time he did Wat Chedi Liam. This chedi featured crouching elephants shouldering the base of the chedi, thus the locals call this temple Wat Chang Kam.
Importent ancient artifacts found there are red sandstone plates with three kinds of alphabets:
  1. Mon (Morn) alphabets dated around 1207 – 1307

  2. Mon alphabets modified into Thai alphabets dated around 1277 – 1317

  3. Sukhothai and early Fak Kham (fuck karm) alphabets dated before 1397

How to get to Wiang Kum Kam

The Wiang Kum Kam archeological park is too large to be covered on foot. There are several ways to get around. Tours around the site can be made by tram or horse and carriage. Tours take 45 minutes to 1 hour during which stops are made at six to nine ancient monuments. Tickets can be booked at the information center. Visitors receive a brochure in English with information about the site. You can choose the option of an organised Chiang Mai Cruise to Wiang Kum Kam. This included pick-up from the central of Chiang Mai to where you were taken to the Ping River for the gentle boat cruise south to the ancient city. Approaching from the river you see the distinctive Chedi Si Liam, a pyramid shaped chedi which was built by King Mengrai in memory of his dead wife. Closer inspection of the chedi reveals individually carved niches all with their own Buddha image Our tour included a horse-drawn carriage and the guide would take you around the sites or you can contact Chiang Mai Travel Agency in town to find a private tours Chiang Mai to Wiangkumkam for your group. I recommend, if you would like to know the all history of the ancient town, you shoud travel with a tour guide. Because there're many ruin temples in the area which included the interested history in the past.
Entrance fee & opening hours
The site opens daily from 8 am until 5 pm. Admission is free.